Showing posts with label chandra mandala. Show all posts
Showing posts with label chandra mandala. Show all posts

Sunday, 25 December 2011

Anil Srinivasan, Pianist and the Madras String Quartet

Attended a tribute to the lives lost in the 2004 Tsunami with great poetry recital and instrumental music. It was kicked off by the celebrity pianist Anil Srinivasan.  He interspersed his concert with short stories and poetry. The next session was by this lady Sivagami, a serial poet and the last one was by the Madras String Quartet.  The acoustics in this open-on-the-side, submerged setting was great.  You could hear the upper tunes, without any squeaking.  Also, the seating was in a combination of mats on the floor and steps all around.  The cool Elliots beach air added to the ambiance.  This was a free concert thanks to the Prakrithi Foundation.  Also, they had free tea and some time to walk around the wooded Spaces complex.
Pianist Anil Srinivasan

Anil played a series of piano pieces around the stories that he had.  His command of English was comparable to his command over the Piano.  Most of the pieces sounded like children's songs but really a had profound story.  Kaveri was associating the pieces with nursery rhymes than she knew.  The piano and the pianist just blended together and production was so laid back.  It was possible for a casual audience to get full immersed. Anil's songs was about the greatness of the soil and the economics of India. He concluded the recital with a encore on-demand from the audience.

Sivagami mami seems to be a well known poet in the Besant Nagar area.  She focused her poetry on recent events in her life- like the marriage of her niece, visit with her daughter to Pudukottai and the death if a sister-in-law.  The peotry had a sequence of prose with a lot of current events. Of course, she covered the Kundakulam Nuclear Reactor safety.

Madras String Quartet.

The last part was the Madras String Quartet.  The group is a little controversial as they perform Carnatic songs with Western harmonics.  We listened to the first two songs- one was a varnam in Ragamalika set to Adi thalam by Patnam Subramanya Iyer. The second was a song Esane in Chakravakam set to Rupakam thalam by Papanasam Sivan.  Their fast pace and the interaction between the four musicians was very bright and brought life to the audience. 

Back to Anil.  One of his stories was about a conversation between Narada and Valmiki.  Narada goes to Valmiki and tells him there is an alternate Ramayana that is better than his, sweeter than his, with more eloquent prose.  Valmiki laughs and says that it is not possible.  He goes in search of Hanuman who has authored this other version.  At Hanuman's house, he sees a lot of leaves.  When he reads the prose on the leaves, he gets very sad and starts crying.  Hanuman asks him why he issad .  He says that this is so good that no one will read his version.  Hanuman crumpled all the leaves into a ball and ate it up.  When Valmiki inquired, Hanuman said the goal was to spread Ramayana, not who is the author.

Wednesday, 7 December 2011

Vilasini Dance and Chandra Mandala

Chandra Mandala, 1, Elliots Beach Road, Besant Nagar, Chennai, 600 090.

Chandra Mandala is this beautiful set of performance stages in the former house of the late Chandralekha.  I had never heard of this lady.  Since that time, I google'd her and found a lot of interesting information.  Here is a nice link about her.

Chandra Mandala is an eclectic location.  It is across the from the beach at the quieter edge. The place has a nice forest atmosphere.  The buildings are in Kerala style with sloping tiled construction.  There are three stages.  One is a atrium with an open space all around.  The second is a fort-like enclosure with huge stage.  The third is a sunken hall.  All three have been built with openness to allow the cool (Ok, it is December in Chennai) beach air to flow through.

I had never heard of Vilasini Natyam dance form either.  So, this was a great introduction.  Vilasini is a temple, court and theatrical dance traditions of the Telugu Devadasis.  In olden days, this performing tradition was referred to as Bharatam, Karnatakam or Tsaduru.  The emphasis is on abhinaya (facial expression), the hand gestures simply allow the flow of the story through.  Unlike Bharathanatyam, there is not a lot of movement around the stage.  This form has recently been resurrected by a dancer called Swapnasundari. She is also credited with renaming it Vilasini Natyam.  It is still a very niche form and there is no Wiki page on it.  The dancer wears wooden hand crafted jewellery called ‘Ganiyam’.  A main feature is a seated performance, where the dancer sits on a pedestal or thinnai.  The hand guestures and facial expressions are all that are needed to tell the story.  There are minimal instrument accompaniments.

Chandra Mandala is a dance school and conducts regular shows.  It is worth visiting, just to take in the art energy.  It has a lot of resembles to Cholamandal Artist Village in the layout.  it will great to hear from others that know more about this dance form.  Leave your comments.